“I can say that he is not going to be as theatrical a character as he was in the early comic books,” (Cillian Murphy) muses. “There’s this underlying theme of fear that runs through the Batman character anyway, it’s fear that causes Bruce Wayne to become Batman. For the Scarecrow, it’s kind of the opposite. Reading the comic books that D.C. sent me I learned that he was terribly bullied, an outcast and a geek when he was younger. Those were the formative experiences for Crane. What I did was look at all of the different incarnations of the character throughout the comic books and kept all of that information in my head. I used as much or as little as I needed in the different scenes that we shot. I think the character should be scary as hell, because that fear toxin he uses is a pretty ferocious thing.”
“Crane is not a good guy,” Murphy adds in conclusion. “I think it comes from serious, deep issues from a very young age. I think he’s got a serious inferiority complex, although he’s brilliant at the same time. And the Scarecrow incarnation—well, aren’t all of these villains a little whacked out? I think it’s much more interesting when there’s a distinction between the two sides of the character because when you put on a mask you want to justify it. The freedom the mask allows someone is to live all those fantasies in your head, good or bad, without revealing yourself.”

“I can say that he is not going to be as theatrical a character as he was in the early comic books,” (Cillian Murphy) muses. “There’s this underlying theme of fear that runs through the Batman character anyway, it’s fear that causes Bruce Wayne to become Batman. For the Scarecrow, it’s kind of the opposite. Reading the comic books that D.C. sent me I learned that he was terribly bullied, an outcast and a geek when he was younger. Those were the formative experiences for Crane. What I did was look at all of the different incarnations of the character throughout the comic books and kept all of that information in my head. I used as much or as little as I needed in the different scenes that we shot. I think the character should be scary as hell, because that fear toxin he uses is a pretty ferocious thing.”

“Crane is not a good guy,” Murphy adds in conclusion. “I think it comes from serious, deep issues from a very young age. I think he’s got a serious inferiority complex, although he’s brilliant at the same time. And the Scarecrow incarnation—well, aren’t all of these villains a little whacked out? I think it’s much more interesting when there’s a distinction between the two sides of the character because when you put on a mask you want to justify it. The freedom the mask allows someone is to live all those fantasies in your head, good or bad, without revealing yourself.”

(Source: wouldyouliketoseemymask)

I was too lazy to fix the scanning angle and you can tell I got lazy on the lightning background. It was raining all day and I spent my afternoon in bed, just to wake and sleep again, wake and sleep again etc. Then there was a loud roll of thunder, which was awesome. Definitely would startled the little Rapunzel!Jonathan.
The little fox is supposed to be wearing a Hufflepuff tie. Subcontext is very obvious.
p.s. I obviously draw at an angle as indicated in the sketch.

I was too lazy to fix the scanning angle and you can tell I got lazy on the lightning background. It was raining all day and I spent my afternoon in bed, just to wake and sleep again, wake and sleep again etc. Then there was a loud roll of thunder, which was awesome. Definitely would startled the little Rapunzel!Jonathan.

The little fox is supposed to be wearing a Hufflepuff tie. Subcontext is very obvious.

p.s. I obviously draw at an angle as indicated in the sketch.

asuitcaseandapaintedface:

But I’m still in favor of another Batman movie where the Scarecrow is actually the main villian and not just a crony of sorts for another baddie. Cause homeboy is bad ass. And still isn’t dead. 

arkhampatient:

claire—lightning:

I completely freaked out when I saw him…

Best outfit ever.